There is something about a good bassline. Now I don't want to go into all the technical mumbo-jumbo of how it keeps the entire band 'tight' and the melody in rhythm and all that. If interested, just look it up on google. No. What I mean is, a good bassline will keep you tapped into the song right from the beginning and until the end. Since the bass sound is deeper, it resonates more inside. I really don't know the technical details as to how and what frequencies produce vibrations etc. I'm just trying to put down what I feel when I hear a brilliant bassline. I'm listening to Strip the Soul (In Absentia) by Porcupine Tree and it has a beautiful one. Even before the melody began, it had me hooked. The melodic arrangement just needs to fill in the gaps and it becomes a good song even if it's just passable. Here it's great so it's a good song to listen to. Electronica like that by Daft Punk is also noted for it's lovely basslines as is Deadmau5. Hmmm I think I'll devote more thought. Till then... Bye.
I've been cheating. I've not been writing as regularly as I promised myself to write. Missed out days. It's more like a chore than anything else. Yet it may be the only worthwhile thing that I'm doing. At least these few months. I used to avidly recommend Train Theory to all and sundry. It is what saved me from going insane out of grief after my breakup (c. Dec-Mar 2011). Yet Train Theory has a catch. A very critical catch. It's more of a question of balance than anything else. But before all this confuses you, let me give a very basic outline of Train Theory. Train Theory When one travels in a train, one may observe a large building in view. The building may be huge in size and appear never ending. However, large as the building might appear to be, if one merely looks away from the window for a few moments, one will see that the building has receded into the distance and is considerably diminished in appearance. Soon after, the building disappears from all b...
Psychoacoustical hierarchy.
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