Skip to main content

On Poetry and the flow of thought

What differs verse from prose? In verse, we have imprinted in words the momentary flash of thought that chooses to illumine our minds. Admittedly in the process of characterization, in the very act of writing it we are destroying the innate nature of the thought i.e the fleeting and completely porous trajectory that it follows in our mind, veering from tangent to tangent as it traces a course from the middle of something prior to the beginning of the next. In essence, the nature of a thought is its non linearity and it's impermanence, its almost purely sensory information.

To prevent the confusion of the reader, let me add an interlude: 'thought' here does not refer to the conscious collected assimilation of logically organized data that we do while we 'think things over' or 'ponder'. In my text I refer to the thought as being innately sensory in nature. A carrier of a momentary sensation, a perception, an ephemeral glimpse of a truth that in itself will fade out, will never be consolidated into the solid pillars of reason. Yet it's effect will remain in a hint of a change in the vision of the host mind, a subtle variance in the pattern or 'train' followed by the thinker. Whether of a different course than priorly followed, or a re-consolidation of previous traits, the change will be there. And such a train of changes, gentle 'pushes' if you may eventually accumulate and result in a shift of cognition and thus perception.

To come back to prose, it is innately organized i.e it has a context, a premise and an ultimate, however vague, conclusion. This is why as a medium, prose cannot convey the 'map-pattern' of the mental state at a point in time that verse can. Neither should it for both are very different in nature and purpose. Verse on the other hand, can to a limited extent, give some idea as to the state of mind of the thinker. This is because verse is uncalculated, it is random and unorganized. Some of the most powerful examples of it don't even rhyme. (gasp!) Comic interludes aside, true verse is from the mind. And from the mind when it is at its most random, most chaotic and hence most informative. Pure sensation untainted by conclusion or analysis and though sullied by the various prejudices of the observer, is verse. Attempts at prose-verse or intentional verse aimed at creating sensation rather than describing  the effects of it can only be disastrous because the very cause-effect relationship is skewered. Abominations such as 'national anthems' attempting at patriotism and 'happy music' (I consider true music to be verse) thus persist because of this desire to engender thought in the mind rather than register sensation. This leads to disaster because the mind is naturally adapted to only truly accept second hand either information (prose) or sensory input and therein form its own 'mental pattern' per se. An attempt to restrict the flow of thought to a narrow channel is unnatural and hence repulsive in its essence. And of course, against the true spirit of things.

Comments

  1. I know. Just got carried away. Wanted a cold and didactic piece just for fun. :p Cheers!

    ReplyDelete

Post a Comment

Popular posts from this blog

The Companion

A gray-walled room with a window. That's how he remembers it. It looks the same now: a large window in a small room. It makes the room look even smaller. The window-sill is thick with dust. Beams of sunlight stream in singly, their path illuminated by many-sided dust particles spinning. Or seeming to spin. Is the room this dusty everywhere? He wonders to himself, trying not to breathe it in. The sunbeams merely illuminate what's already there. Slowly, as his eyes adjust, more details of the room start revealing themselves. The room is bare. Devoid of anything except walls and tiny patches of plaster embedded in the cobwebs at corners. The effect is almost artistic. He wonders if rooms could feel. If they could, what would this room be feeling. Do they remember the people who lived in them? It's almost impossible to believe that people would have lived here once. The walls would have been new and shining with paint and resonant with echoes of laughter or tears or screams.

Patriotism and Parti(san)ng Sorrows

Is patriotism overrated? What is patriotism anyway? An irrational love for ones country irrespective of regional, ethnic, religious or cultural differences. Why is patriotism? It is obvious. To build a 'nation' one must have people who relate to one another so that they can see beyond the short boundaries of personal/familial interest and look towards the interest of the group as a whole. Ideally, the relation can be ideological in nature. However, historical evidence and the knowledge of human nature leads to the conclusion that as humans are irrational beings, thus they can be governed by principles of irrationality. This is done using the concept of patriotism. Patriotism (or nationalism, or social-nationalism or national socialism or nazism... see where I'm going with this?) is but a name for the Universal Method. Now the Universal Method goes by many names and flavours that differ subtly from one another in their means of execution or agenda, but essentially they

The Flash

It is night. J walks the intermittently lit streets of the city. He is not thinking anything in particular. Thoughts flit randomly across the landscape of his weary mind. It has been a tough day. Not so much tiring as wearying. He is searching for the answer to a very important question. It is a logic-altering question. One that has plagued perhaps every mind since the dawn of time: identity. What is it? Does something like a true identity exist? However, he is not really thinking. The thought is running in a constant rhythm through his mind, much as the drone of a machine. A few steps ahead. A streetlight is flickering on and off. Each state endures for a few seconds and is accompanied by an unusual rustling noise. J is intrigued. He walks until he is directly beneath the light. There is an alleyway leading off to the right. By the light of the flickering lamp he is able to discern a human shape seated on a pile of nondescript boxes. He stands still and waits for the next flash of i